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Staff Profile- Linda

lindas photo updatedWhile the Studio bears my name, it is pretty obvious that it takes a number of people to keep it running. I am blessed with a wonderful staff that carries on the day to day operations. They allow me to focus on designing and teaching, yet I seem to get a lot of the credit for what happens behind the scenes. I want to take the opportunity to focus on my amazing staff by occasionally doing profiles to give them the recognition they so deserve.  For the first profile, I couldn’t think of anyone better to start with than Linda Marcinowski.

Linda has been on staff at the Studio longer than anyone else, having started in the summer of 2002. Many of you have been greeted by her friendly smile and welcome along with her remarkable memory for customers’ names and their stories. While Linda learned to sew clothing from her grandmother when she was only seven years old, it wasn’t until years later, in 1998, that she took up quilting. As an Army wife, she was invited to a welcome coffee and joined a quilt group headed by the general’s wife. Linda taught herself to quilt to keep up with the others in the group. Jinny’s techniques were her favorites and she had learned much from Jinny’s books. Once her children were grown, Linda needed something to do, and started working at the Studio.

Linda with Sunset Walk and Four Seasons
Linda with Sunset Walk and Four Seasons, both Studio designs

Linda, having started when the brick and mortar shop was fairly new and the business was smaller, has done just about everything. She worked on the newsletter, made shop samples, set up booths for quilt shows, been a member of the seminar staff, and even became certified in thimble fitter in 2005.

Wonderful One Fabric Quilt and Coventry, both Jinny Beyer Designs
Linda with her Wonderful One Fabric Quilt and Coventry in both colorways!

What she enjoys most, though, is meeting the customers, seeing what they are working on, and helping them with their projects. She says, “It makes my day. I love the amazing, different people I meet and the stories they tell.” One of her favorite things to do is play with Jinny’s border prints, figuring out more and more things to create with them.

Linda at cutting tableHaving been a military wife for many years and the travel it entails and now with her two daughters married, you may think that Linda and her husband lead a quiet life. Two years ago, her adorable little grandson, Andy, came into their lives and now there is a granddaughter due within the next couple of weeks. “Oma” Linda doesn’t have the quilting time she once did.

Linda & Andy
Linda & Andy

Stop by to meet Linda and the rest of my fabulous staff this summer. We have new fabrics arriving, exciting classes, and we’ll be participating in the Row by Row Experience shop hop.

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Special Occasion Quilts

The story I have to tell today is one to which I’m sure many of you can relate. (Please tell me I’m not alone in this.) You’ve been rushing and rushing to get a quilt done for a special occasion and run out of time. You “give” the quilt anyway, but say you need to finish it. Somehow, once the cat is out of the bag there isn’t quite the urgency to keep hurrying to completion.

This, unfortunately, has happened to me too often. Years ago, I made a quilt for my husband’s parents to celebrate their 40th wedding anniversary. I had the top done and only part of the quilting when their anniversary arrived. I showed it to them and they were very excited.

Anniversay Quilt2

Anniversay QuiltWell, it just seemed to take forever to finish the quilting. Every phone call, my mother-in-law would ask if I had finished the quilt yet and I would answer that doing all the quilting by hand just took a long time. Finally, on their 41st anniversary when we called to give them our best, my mother-in-law sounded very frail. She asked if I had finished the quilt. I told her no, but it was coming along.  She sighed and said, “Well, I hope we both get to enjoy it together.” That guilt trip got me going again and I had it finished within a couple of months. They enjoyed it together for many years.

I tell this story because I am now in the process of finishing yet another special occasion quilt. My son and daughter-in-law were married in September of 2005. For a “guest book” I made a quilt top and at the reception all of the guests signed the quilt with a permanent marker. My intention was to do the hand quilting and present them with the finished quilt on their 1st anniversary.

Wedding Quilt

Well, life got in the way, I got involved writing my book, “The Quilter’s Album of Patchwork Patterns,” and did no sewing for the five years I devoted to the book. Then other “stuff” happened and I never finished it.

Now nine years later, they have just moved to a new house and my husband and I are flying to California tomorrow to visit them. About three months ago, knowing we would see them, I vowed to finish the quilt and give it to them for their new home.

Wedding Quilt QuiltingI took the last stitches this morning, cut the strips for the binding and have the material for a sleeve in case they want to hang it. I’ll start the binding tonight while I watch the “Nats” (my beloved Washington Nationals) play baseball and finish it on the plane. Watch Facebook for a photo of them with the quilt.

Wedding Quilt4

As quilters, we show we care by making quilts for others. We mark births, graduations, weddings and other special occasions with our quilts and don’t mind (much) that some of the recipients will never know the amount of time which goes into its creation. Making a quilt with signatures is a nice way to capture the sentiments of people who participated in a special event. Some quilters add photographs with photo transfer or fabrics from clothing. There is so much we can do to make our gift of a quilt extra special.

Editor’s note: If you have made a quilt for a special occasion using Jinny’s fabrics or patterns, we would love to see a picture and hear the story behind it. Please send them to studio@jinnybeyer.com

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Is There a Pattern for That?

Often on our Facebook page, we show pictures of quilts our customers have made using my fabrics and, inevitably, someone will ask if there is a pattern for it. Of course, we are more than happy to provide them with a pattern if it is one we carry or send them to another source, but sometimes we just don’t know. What, then, is a quilter to do if she falls in love with a block but can find no pattern? You can draft it yourself. Really, you can do it. It is not hard at all.

I mentioned in an earlier blog post that I figured out years ago that most square patchwork designs were based on a grid such as a 2 x 2, 3 x 3, 4 x 4, 5 x 5, etc.

Starstruck side by side
A block from Starstruck* – this years’ block-of-the-month – with and without the grid.

Through the years, I’ve written several books on patterns and drafting with my most recent and comprehensive being, Quilter’s Album of Patchwork Patterns, which has over 4000 pieced block patterns. It gives quilters a way to recreate each and every block in quilts of their own without all of the complicated math. (Don’t spread this around, but I really don’t like math.) All you have to do is look up the name of the block and see what grid is used.

QA with grid

Now, here is something that even people who have owned the book for a while sometimes don’t notice. Hidden in the back cover, under the jacket flap, are two plastic sheets full of grids. (Be sure to pull off the protective film.) Find the corresponding grid on the plastic sheet, place it over the design, and…..viola!  You can see which lines of the grid to connect to draw the design.

A block from The Quilter's Album of Patchwork Patterns with the transparency grid provided.
A block from The Quilter’s Album of Patchwork Patterns with the transparency grid provided.

What do you do if you don’t own the book or don’t have it with you when you need it? I learned a valuable tip from a fellow passenger on an airplane years ago. Go to my “Tips & Lessons” page and click on “Drafting Quilt Blocks” for this easy technique.

*If you want to receive our free block-of-the-month patterns sign up for our monthly newsletter.

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Potatoes!

You are probably now checking to see if you clicked on the wrong thing because you were expecting something about quilting. I’ve been writing about somewhat technical topics lately and thought you might enjoy a break. There is, however, a tie to quilting if you just read on.

potatoes and onions in gardenThis time a year my vegetable garden is in its fledgling stage. I am harvesting the winter onions and some salad greens and radishes, but the tomato and pepper plants are still spindly. The herb, corn, beans, cucumber, beets, and squash seeds have just sprouted and mostly I’m still seeing a lot of dirt.

potato leaves

But it is the potatoes that make the garden look legitimate.  I plant the seed potatoes in mid March and by now they are full bushes at least 18″ high. Every time I walk in I think “Wow! It looks like a garden! If you have never planted potatoes you should give it a go next year. Many years ago when someone suggested to me that I should plant potatoes, I wondered why would I do that. A potato is a potato, something you can just get at the store. How wrong I was!

IMG_0464

Not only is it one of the first vegetables to harvest, but home grown potatoes are delicious. I plant the various varieties in the order in which I harvest them. I have experimented with lots of different kinds and now have my favorites. I start with early red Caribe potatoes, which I will start harvesting in a couple of weeks, as soon as the flowers start dropping. Then along come my favorite, Yukon Gold, and finally the storing potatoes. This year I have Kennebec.

From the first little new potatoes steamed and then tossed in chopped parsley and garlic infused olive oil, to the July 4th potato salad, roasted potatoes, baked potatoes and so much more, I love the potatoes and know that they are organically grown. Below is one of my favorite recipes and I think this is best with Yukon Golds.

So how does all this relate to quilting?

I’ve been eyeing the potato leaves as a possible fabric design.

fabric leaves
I manipulated the photo in Photoshop to come up with an image that would be able to be printed in fabric.

PS. Did you know that many leaves have golden ratio proportions? If the narrow opening of the Golden Gauge Calipers is placed on the widest part of the potato leaf, the wider opening of the calipers is the height of the leaf.

calipers and leaves

Smashed Potatoes Recipe

One potato per serving (Yukon Gold are the best for this recipe)

olive oil, salt and pepper

1. Wash the potatoes and wrap each in aluminum foil.

2. Bake at 350 for one hour

3. Remove the foil and place the potatoes on a cookie sheet that has been rubbed with olive oil. Leave plenty of space between potatoes.

4. Rub the bottom of a small skillet (I use a cast iron skillet for the weight) with olive oil and then place it on top of a potato and press down until it squashes to a shape of a thick hamburger patty.

5. Brush the top of each potato with a little olive oil and sprinkle with salt and pepper.

6. Bake in a 500 degree oven for about 15 minutes then turn each potato and bake another 15 minutes or so until the potatoes are brown and crispy.

These have the taste of french fries without all the calories.

IMG_0463

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Fibonacci and the Golden Ratio

A few blog posts ago, when I talked about the Golden Ratio, (1 to 1.618 or .618 to 1) there were several questions about how the golden ratio relates to the Fibonacci number sequence.

Leonardo Fibonacci was an Italian mathematician (c. 1170-1250) who devised a number sequence where the relationship of one number to the next or previous one provided perfect proportions. Mathematicians and artisans have been using this number sequence ever since. Some quilters use these numbers to plan proportion for their designs.

Da Vinci - the strips and the interior as well as the borders follow the Golden Ratio proportions
Da Vinci – the strips and the interior as well as the borders follow the Golden Ratio proportions

Fibonacci’s number sequence goes like this:

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, etc.

Can you see how the numbers are determined? Here’s how the sequence works. Start by adding our first two numbers: 0+1=1. Go to the second and third numbers, 1+1=2, then 1+2=3 and so on. Each successive number is the sum of the previous two numbers.  You can select any number in the sequence. It is always the sum of the previous two numbers.  For example 21 is obtained by adding 8 and 13.

But in actual fact, this is virtually the same as the Golden Ratio.  As the numbers get higher the relationship between two adjacent ones approximates the golden ratio.  In fact from the 10th number on, you will get a value of almost 1.618 or .618 every time!

The rectangles and spirals shown here, illustrate exactly how the Golden Ratio relates to the Fibonacci sequence of numbers.

fibonacci golden ratio comparison both

Fibonacci Spiral:
Fibonacci begins with two squares, (1,1,) another is added the size of the width of the two (2) and another is added the width of the 1 and 2 (3). As more squares are added the ratio of the last two comes closer each time to the Golden Proportion (1.618 or .618). Put quarter circles in each of the squares to get the Fibonacci Spiral.

Golden Spiral:
The Golden Spiral begins with a square and a rectangle is added whose width is .618 of the first square. Another square is added that is the width of the first square and rectangle (1.618) This proportion continues so that all the relationships are either .618 or 1.618. Once again the spiral is achieved when quarter circles are drawn in each of the squares.

Comparison of the two spirals:
An overlay of the two spirals shows that at the beginning they do not match up but as Fibonacci’s numbers grow the two spirals are virtually the same. The Golden Gauge Calipers show that the spiral is in perfect Golden Ratio proportions, 1 to 1.618!

fibonacci golden ratio comparison1

All of this fascinates me. And I discovered that you can do the same type of number sequence starting with a different number. For example, we can call this one “Jinny’s Sequence”.

3, 3, 6, 9, 15, 24, 39, 63, 102, 165, etc.

Once again, by the time you get to the 10th number, and divide the 10th by the 9th you get very close to the Golden Ratio….1.6176

It seems to come out this way no matter which number you start with. So you may be asking yourself, do quilters really use this? My quilt, DaVinci was something of an ode to the proportion with the strip widths determined by this mathematical ratio.  I am a huge fan of the work of Caryl Bryer Fallert, who has created an entire Fibonacci series of quilts. Why don’t you give it a try?

If you find all this fascinating check out the previous blog posts on the Golden Ratio.

Fibonacci12_246k

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A Peek at Spring Quilt Market

International Quilt Market Pittsburgh 2014
International Quilt Market Pittsburgh 2014

If you are in the quilt business, you know to save a few days each May for the Spring Quilt Market. This industry trade show gives me the opportunity to meet shop owners and show them my new fabrics and quilt designs.  As a shop owner myself, I’m able to meet the vendors with whom I do business, to discover new products to carry in the Studio, to see old friends and make new ones.

Before market begins is something called “Schoolhouse” where manufacturers, publishers and designers like me get to present our latest products. Shop owners can hear first-hand about the merchandise they will be selling from the people who created them. I spoke about my Palette Pixie Strips and their accompanying quilts, my new calipers and, most exciting, my next fabric collection, Bedfordshire.

market schoolhouse
Upcoming Collection for 2014 – Bedfordshire

Once Market begins, retailers have the opportunity to visit hundreds of booths with every kind of product which could possibly be of interest to quilters. I shopped for interesting patterns and new notions to carry in the Studio and online. Much of my time, though, is spent in the RJR booth meeting shop owners and learning about their customers’ interests.

marketrjr2
How do you like the quilt in the middle? You get a sneak peek at the quilt I designed for my Bedfordshire collection.

What I probably enjoy most are the wonderful people I get to meet, those whose products I sell (and use!) and other designers.

market people photo
Top left: Audrey Brendel of Pin Peddlers
Top right: Jenny Doan of The Missouri Star Quilt Company
Lower left: Kathy Thompson of Quilters Dream
Lower right: Eleanor Burns

Of course, one of my favorite things to do is looking at all the quilts. Even though I have been designing fabric for many years, I still get a thrill when I come across quilts in other booths which have my fabrics in them. Here are two I spotted. Didn’t these quilters do a wonderful job?

quilts from market
Gayle Ropp of Backroom Quilter, Twelve Days of Baltimore by Pearl Pereira – quilted by Karen Marchetti

Inspiring.  That’s the word I would use to sum up Market. The room was filled with a creative spirit. Handwork seems to be celebrating a resurgence. It was exciting to see this interest in a skill you and I have loved for years.

Also, I was so encouraged to see the number of young people there who have entered the business presenting their designs and products. They give the industry a sense of vitality and reminded that quilting should be FUN. Yes, market is always inspiring and I’ve brought back some new products and ideas I can’t wait to share with you in the coming months.

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Quilter’s Design Board

design board blocksHow many of you have never played around with our Design Board? Did you know that there are 223 free patterns in three different sizes (6, 10 and 12 inches) and that a new pattern is added each month?

The blocks are grouped by how they are drafted such as 4-patch, 5-patch, 8-pointed star, etc. First, choose a block. You can print out templates for three different block sizes along with a template guide. Then the blocks can be put into a quilt and borders can be changed. There is a yardage calculator that gives the style numbers of the fabrics used in the block and also will determine how much fabric you need based on how many and what size blocks you want to use. It will even give you an estimate of the cost and put your fabrics directly into your shopping cart.

You can view the design in color or by the line drawing.  You can also change the border selection.
You can view the design in color or by the line drawing. You can also change the border selection.

 

This months’ block is Golden Tile. First and foremost, the block gets its name because it contains the Golden Proportions as was explained in a recent blog post. If the Golden Gauge Calipers are opened so that the smaller space fits on the shorter segment of the design, the larger opening fits on the longer segment.

calipers on Golden Tile 2 The design board is limited and is not meant to take the place of your graphics program but serves as a jumping off point. There are some wonderful software programs available which provide you amazing design possibilities. For blocks such as Golden Tile which are directional, you do not get the chance in the design board to see some of the other possible layout variations. If you have a graphics program that allows you to tile, rotate and flip blocks, experiment with different layouts. Here are some variations.

All blocks are oriented the same way.
All blocks are oriented the same way.
Four blocks are pinwheeled and that unit repeats.
Four blocks are pinwheeled and that unit repeats.
In any four block unit, opposite blocks are reversed.
In any four block unit, opposite blocks are reversed.

I hope you take the chance to play around with our Quilter’s Design Board and don’t forget to send us pictures of the quilts you make from it.

P.S. Golden Ratio by accident or design?

Dana, our staffer who did the layout for the blog sent it to me for approval. As soon as I saw her layout, I couldn’t help myself. I had to get out the calipers. So often when we are doing design or layout work, we select the proportions that are most pleasing to us and so many times it seems to fit the proportions of the golden ratio!

golden ratio by accident or design

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Make Way For Goslings

Luke & Gus on a rainy day
Luke & Gus on a rainy day with me in my office

Well, we almost had a disaster at the Beyers Monday morning. We have a pond on our property and every morning when I let out Gus and Luke (our two labs), we walk around the pond together. As we were coming along the dam, two adult geese suddenly flew from the sky, dive-bombed the dogs, then landed in the pond. Seconds later, another pair streaked up the dam and flew into the pond, all of them honking furiously. The dogs, of course, thought this great fun and went in after them.

Then, out of the corner of my eye,  I caught sight of a group of five precious little goslings on the slope of the dam. I knew if the dogs saw them the goslings would be completely vulnerable.  I yelled at Gus and Luke that it was time to eat and started running to the house. That got their attention and they jumped from the pond to follow me. (Well, they are labs, you know, and when you mention food…)

A few minutes later when I went to get the newspaper, I met my neighbor, Kim, who was carrying a camera with a huge lens. She said she was on her way to photograph some baby foxes she had seen. (Is my neighborhood starting to sound like that old TV show, “Wild Kingdom”?) I told her of the near miss with the goslings and invited her to come take a look. We could check to see if all the geese were okay.

goslings

When we arrived back at the pond, there were the goslings swimming along with their parents. Kim got some great photos and when I saw them, I couldn’t help thinking about the blog post two weeks ago which explained how to get colors out of a photograph. I couldn’t resist so here they are.

gosling colors
Colors drawn from gosling photo in Photoshop

The colors immediately reminded me of the version of Crayon Box that is made with the “tropical” set of Palette Pixie Strips. The only thing missing is the blue sky which was there but just didn’t make the photo.

crayon box_edited-1

I suppose I just can’t help myself from seeing color palettes, fabric designs and quilt possibilities all around me. I hope you are letting your world inspire you too.

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The Magical Golden Ratio

It’s been said that the golden ratio (also called the golden proportion, golden mean or Phi) is the perfect proportion. The golden ratio certainly seems to have magical properties. It occurs in nature, in the human body and in animals, in ancient art and architecture, even in many of our quilt designs. Let’s do a little test. Pick out the illustration you find the most pleasing in each row. test I have given this test many times over the past decade and usually 75% will pick A, B, and B. If you picked these, you picked the shapes which have the Golden Ratio. So what is the golden ratio? OK, here comes some math. (Warning! Your eyes may be in danger of glazing over and your mind may wander. Never fear: it is only two sentences long.) It is the division of a line segment where the ratio is 1 to 1.618, one being the shorter length and 1.618 the longer one. It can also be the ratio of .618 to 1 where .618 is the shorter segment and 1 is the larger.

Shells
Most spirals found in nature fit the proportions of the golden ratio.

You will find that this ratio has been used throughout history. Some examples include the Greek Parthenon, the Great Pyramid at Giza, the paintings of Leonardo DaVinci. However, a truly fascinating aspect of this magical ratio is that it occurs so often in nature. For example, in a beehive there are fewer male bees than female bees. The ratio of males to females is the golden ratio! A pinecone has two sets of spirals, one with less spirals than the other…..the relationship between them is again the golden ratio. Look at the photos above of the shell and Romanesco broccoli as another example. The golden ratio is even evident throughout the human body, in the measurement from the top of the head to the chin and from the chin to the navel and from the navel to the floor. Measurements from the elbow to the wrist and wrist to the tip of the middle finger also fall into the golden proportion. If you are like me, you don’t like carrying a calculator around all the time and doing math, but you might be curious as to the proportions of various objects. Because of this I developed the Golden Gauge Calipers. This is a handy tool that eliminates the math and lets you see the golden proportions in objects. As the calipers are opened the shorter segment in relation to the longer one is the golden ratio and vice versa. 2. calipers open and closed When the calipers are opened so that the narrow space is the size of the width of oval A you will see that the wider portion of the calipers is the height. The same is true with triangle B. If you open the calipers to the narrow portion across the base of the triangle, the height will be the space between the wider portion of the calipers.

3. calipers on oval
Oval A

With the calipers on the Mariner’s compass B notice that the width of the smaller center circle is in “golden proportion” to the distance from the edge of that circle to the edge of the larger circle. calipers on compass Many patchwork designs contain divisions that are either very close to or exactly the golden ratio. Are designs with golden proportions more pleasing to the eye?  Take a look at Duck and Ducklings and Whirling Five Patch, shown here. It is apparent that the designs have the same basic pattern. The difference is that one is drafted on a 5 x 5 grid and the other on a 14 x 14 grid. Which one is most appealing to you? I personally find Duck and Ducklings a little clunky and like the fact that Whirling Five Patch contains divisions that are not all the same. The Golden Gauge Calipers placed on the design shows that the width of the center division to the adjacent one almost fits golden ratio proportions.

two blocks side by side
Duck & Ducklings and Whirling Five Patch

The Whirling Five Patch with calipersUnknowingly, quilters when planning widths for borders automatically choose this proportion because it “feels” right. In one of the upcoming blogs we will take a look at borders and how to determine a pleasing size.

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How to Get a Quilt Book Published…By Accident

People often ask me how I got into writing books. The first one came as a fluke and the others just fell into place.

I started teaching patchwork to small groups in my home in the mid 70’s and there were very few quilt books or patterns available. If you wanted a pattern for a quilt you had to draft it yourself. I figured out that most square patchwork designs were based on a “grid”. The square was divided into a grid of 3 x 3, 4 x 4, 5 x 5 etc. If you knew what grid was used for the block, it was simply a matter of following the lines of the grid to get the design.

Mosaic together

I figured out a no math way to fold paper to get the designs and after teaching it for a few years people were amazed at how easy it. Let’s use the block above, a 4×4 grid which is simpler than it seems. Decide what size block you want and make a square that size out of paper. Fold the square in half, side to side, then in half again, bottom to top. This will produce a “grid” of four squares. Can you see now how the design is created? If not, fold it in half each way again. Now you can see that is made up of simple half-square triangles.

So one day, my Quilters’ Newsletter magazine arrived and in it was an article on how to draft an eight-pointed star. It talked about the Pythagorean Theorem, pi and all sorts of other math terminology. I was completely confused, particularly since I had figured out a very easy way to draft the design by folding paper.

Bonnie Leman_1991_LCPQ_74
Bonnie Leman

I wrote a letter to Bonnie Leman, founder and editor of Quilters’ Newsletter, and showed her my method. In a rash moment, I also wrote, “Furthermore I’m explaining this and how to draft other patterns in the book I am writing on pattern drafting.”

Bonnie phoned me when she received my letter and said how she was so excited about my book and who was publishing it? I kind of hemmed and hawed and said I didn’t have a publisher yet. She said that she might be interested in publishing it and could I bring what I have done so far to a conference we would both be attending the next month. I didn’t want to tell Bonnie that I hadn’t actually started the book, so for the next month I prepared outlines, did illustrations, wrote sample chapters, etc.

Patchwork PatternsWhile it turned out to be a larger project than Bonnie imagined, she encouraged me to find another publisher, and I did. My first book, Patchwork Patterns, had 500 patterns and was organized in categories according to the grid used for drafting them. The book is out of print and I’ve written other, more comprehensive ones since, but that one is still special to me. So that, my friends, is how you accidentally get a quilt book published.

An upcoming blog post will show you how to figure out the grid.