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Protea Blog…Take Two!

Last month on my blog I posted about the Protea Squares quilt made with the entire Protea Bundle. One of the questions asked by a customer about the larger version of the quilt was, what would happen if you put the dark squares in the center instead of the light.  Well, we thought it would be fun to see as well.

Here are both versions without borders.

 

 

It is clear that they are quite different. As you saw last time, the border that is added to the quilt can also make a difference. With each of the Protea web special mini-bundles we also offer one or two border print coordinates. These look good with the individual mini-bundles as well as the complete grand bundle. We selected these two Rajasthan borders for this month’s bundle.

 

 

I opted for a different treatment of the borders this time and added my more typical border of the narrow and wider border print strips and another fabric in between the two. To determine the width of the middle black border, I once again went to my Golden Gauge Calipers.  The wide border stripe is 5” so I put the calipers across the five-inch strip and that told me that the black fabric should be 3” wide. (5 x .618 = 3”).

 

 

You can see here the same border design and the same border treatment with only the color change in the border print. What a different impact the two present.

 

 

 

 

 

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Stellaris BOM Part I – The Inspiration for the Design

From 1968 to 1972 my husband and I, along with our three children, lived in Nepal and India. It was in those places that I fell in love with geometric and mosaic designs.  The images were everywhere–on buildings, walls, textiles, gardens–and they became ingrained in my whole being. It was also in India in 1972 that I began my first quilt, a mosaic, allover design made of hexagons called Grandmother’s Flower Garden.

 

 

 

 

Three years later, after returning to the States and while visiting my friend, Suzi, I saw a mosaic box on her table and immediately became enamored with the hexagonal design. She let me borrow the box and after days of scrutiny, I started my third quilt, Suzi’s Box.

 

 

Over the years I have collected mosaic boxes and designs from many countries–Spain, India, Nepal and North Africa. So many of these designs have small narrow borders between the elements of the design.

 

 

 

I wanted to tackle one of these types of designs and decided to begin with a simple six-pointed star joined together with diamonds made up of a narrow decorative stripe. The stars were cut from leftover border print pieces.

 

 

The narrow stripe was taken from one of my border print fabrics. Each of the connecting diamonds was made up of four smaller triangle pieces.

 

 

Herein lies the problem. I loved the design and what was happening with the connecting diamonds so I calculated how much of the border print fabric I needed…and YIKES!!!! It was 17 yards!

So, I decided that since the use of that fabric was too extravagant, I would just have to design a fabric that would work and that was when my first “mini-stripe” fabric was born. That fabric is used in the quilt which inspired its creation, Arabic Tiles, yet another hexagon based design.

 

 

 

It was so much fun experimenting and designing quilts using the first mini-stripe fabrics that I included another, in several colors, in my Aruba collection.

 

 

This brings me to the point of this blog. As you can see, inspiration doesn’t just appear. It is built on experiences, images and just slowly develops. I had been trying to decide for weeks what type of design to use for this year’s BOM quilt and wanted to include the mini-stripe fabric. Then one day when dusting a shelf, I spotted these two plates and looked at them with new eyes. I knew immediately that they would be the inspiration for the new 2019 BOM.

 

 

 

I studied and studied how the designs were created and after a week of complete concentration and drawing was able to come up with and draft this design. Thank goodness our pattern writer, Elaine, was a genius in breaking the design down into simple piecing of nothing but straight seams and a few in-set seams.

 

 

The fun was then in selecting the fabrics and the six different colorways to create the quilt.

 

 

Links to the first video and printed lesson will appear in our April 6, 2019 newsletter. It is free to all newsletter subscribers.

Watch this video clip to learn about the BOM and stay tuned for the next blog and the behind the scenes look at creating the program.

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Protea – A Bundle With So Many Possibilities

Last month, we introduced our latest grand bundle, Protea, named after an amazing flower found in South Africa. As I often do, the colors for this bundle we’re pulled from a photograph the Studio’s manager, Rebecca, took while on a trip there in 2017. If you are interested in this process of capturing colors from a photo, I wrote about it in a blog when we introduced the Irish Heather bundle.  There are 40 fabrics in the Protea bundle and we have broken it up into five smaller bundles of eight fabrics each. Once a month we offer one of the smaller bundles as our web special.

 

 

Whenever we introduce a new bundle, we always discuss possible projects to give you all an idea of how you can use the fabrics. Both the Thousand Pyramid and Tumbling Blocks quilt were shown in the Irish Heather blogs and would be perfect for this bundle as well. Another suggestion is a quilt, Potomac Charm, designed in 2013 for the Quilters’ Quest shop hop.

Potomac Charm used 99 five-inch charm squares so, in order to have enough to play with, we cut two squares from each of the 40 Protea fabrics and staffer Nancy and I started arranging them on the design wall. We decided on a setting of 54 “blocks,” set six across and nine down. Swatches were added, moved around and taken down. Just when we thought we had it set we would change it again. Then we added border prints down the sides to audition them. What do you think?

 

 

 

After the positioning of the squares was set I created a digital image and played around with border options. Since the quilt was so small, I chose to start with the narrow border from the Casablanca fabric. The best outer border was just a wider black piece. To determine the best width for that last border I got out my trusty Golden Gauge Calipers. This gave me the perfect size for that last border. If you are not familiar with the Golden Ratio, check out my blog on this topic from a few years ago.

 

 

 

I tried another version using the border print from Miyako.

 

 

The finished quilts are approximately 59” x 67”. We always have people wanting to make our quilts larger. So I decided to play around with the digital image. I removed the top and bottom rows of squares then made two exactly alike and two that were the mirror image.

 

 

Since the quilt is larger, I used the wider stripe from the fabric and then used the calipers to determine how wide the black should be. Here is the quilt with the two different borders.

 

 

 

No longer a charm quilt (charm quilts do not duplicate fabrics), we decided to name this Protea Squares. The small quilt measures 34” x 50.5” without the borders and 59” x 67” with the borders. The large quilt is 67” x 78” without the border and 84” x 95” with the borders.

The finished width of our smaller quilt outer border is 3 7/8” (cut 4 3/8”). The finished width of the larger quilt outer border is 8½” (cut width 9”).

We are giving the Potomac Charms pattern here as a free download. You can use that as a guideline for creating your own 5” square quilt. We encourage you to play with fabric placement and settings, adding more squares or less, (depending on the size you want) or even adding fabrics from your stash.  Once you get started, I’m sure you will have as much fun as we did. 

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A Snow Day = A Sew Day

When bad weather forces us to close the Studio, we spend our day as many of you would—working on our quilting projects.  Here’s a quick look at how many of we staffers spent our free day.

 

 

Jinny is currently in the middle of taping the lessons for her new block of the month, Stellaris, so that’s what she worked on all while watching the birds and snow outside her window.

 

 

 

Nancy finished up the machine quilting on one quilt and continued hand quilting with a “big stitch” on a Quest quilt from 2013.

 

 

J.J. visited her brother in Utah last fall and discovered a BOM called Sewology from American Quilting, a quilt shop in Orem. Here is a photo of the beginning of hers along with her cat, Buckeye.  Can you guess that J.J. is from Ohio?

 

 

For Linda, it was a day of catching up with projects. Putting binding on a class sample, labels on recently finished quilts, the next block in the Moon Glow staff challenge (more on that in another blog) and continuing to hand piece 9-patches for Jack’s Chain quilt is how she spent her day. The lighting is perfect in the sunroom on a snow day!

 

 

Maria is at Bethany Beach with five quilting friends. (Aren’t we jealous!) With wonderful company and food, she is working on the appliqué part of her Jen Kingwell “Golden Days“ quilt. 

 

 

 

With two new grandsons born 3 weeks apart, Lura is hard at work on baby quilts. On the left of each quilt are possible backings.

 

 

Julia quilted a baby quilt for an Operation Homefront baby shower. 

 

 

 

 

Judy summed it up when she said, “So it’s amazing how much you can do without interruptions.”  She worked on the Moon Glow blocks and put together the blocks for a charity quilt. She also finished up the machine appliqué on a BOM border and put on the last border so it’s ready for quilting. Wow, she did accomplish a lot.

 

 

And finally, Rebecca started the day with a little hand quilting on her Facets quilt then headed to the airport to catch a flight to Nashville and the QuiltCon quilt show.  We know she made it as far as the gate and hope she got out.

Whether it is snowy like here in the DC area or warm and sunny where you are, everyone should take a “snow day” every now and then.