Fat Quarters – Jinny Beyer Studio

Posted on February 27, 2019March 9, 2019 by Jinny Beyer — 18 Comments

Protea – A Bundle With So Many Possibilities

Last month, we introduced our latest grand bundle, Protea, named after an amazing flower found in South Africa. As I often do, the colors for this bundle we’re pulled from a photograph the Studio’s manager, Rebecca, took while on a trip there in 2017. If you are interested in this process of capturing colors from a photo, I wrote about it in a blog when we introduced the Irish Heather bundle. There are 40 fabrics in the Protea bundle and we have broken it up into five smaller bundles of eight fabrics each. Once a month we offer one of the smaller bundles as our web special.

Whenever we introduce a new bundle, we always discuss possible projects to give you all an idea of how you can use the fabrics. Both the Thousand Pyramid and Tumbling Blocks quilt were shown in the Irish Heather blogs and would be perfect for this bundle as well. Another suggestion is a quilt, Potomac Charm, designed in 2013 for the Quilters’ Quest shop hop.

Potomac Charm used 99 five-inch charm squares so, in order to have enough to play with, we cut two squares from each of the 40 Protea fabrics and staffer Nancy and I started arranging them on the design wall. We decided on a setting of 54 “blocks,” set six across and nine down. Swatches were added, moved around and taken down. Just when we thought we had it set we would change it again. Then we added border prints down the sides to audition them. What do you think?

After the positioning of the squares was set I created a digital image and played around with border options. Since the quilt was so small, I chose to start with the narrow border from the Casablanca fabric. The best outer border was just a wider black piece. To determine the best width for that last border I got out my trusty Golden Gauge Calipers. This gave me the perfect size for that last border. If you are not familiar with the Golden Ratio, check out my blog on this topic from a few years ago.

I tried another version using the border print from Miyako.

The finished quilts are approximately 59” x 67”. We always have people wanting to make our quilts larger. So I decided to play around with the digital image. I removed the top and bottom rows of squares then made two exactly alike and two that were the mirror image.

Since the quilt is larger, I used the wider stripe from the fabric and then used the calipers to determine how wide the black should be. Here is the quilt with the two different borders.

No longer a charm quilt (charm quilts do not duplicate fabrics), we decided to name this Protea Squares. The small quilt measures 34” x 50.5” without the borders and 59” x 67” with the borders. The large quilt is 67” x 78” without the border and 84” x 95” with the borders.

The finished width of our smaller quilt outer border is 3 7/8” (cut 4 3/8”). The finished width of the larger quilt outer border is 8½” (cut width 9”).

We are giving the Potomac Charms pattern here as a free download. You can use that as a guideline for creating your own 5” square quilt. We encourage you to play with fabric placement and settings, adding more squares or less, (depending on the size you want) or even adding fabrics from your stash. Once you get started, I’m sure you will have as much fun as we did.

Posted on August 22, 2018October 22, 2018 by Jinny Beyer — 2 Comments

Creating a Quilt with Irish Heather Fabrics

Last month I wrote a blog post on getting color inspiration from a photograph. I gathered fabrics that matched those colors and created the Irish Heather grand bundle of 45 different fabrics. I showed a quilt I created from those fabrics and arranged triangles in the traditional Thousand Pyramids style. So you have the bundle of 45 fabrics, you have the design, but the question arises about how to get a good distribution of the colors and that is what I want to talk about this week.

Any time I do a quilt like this, I like to work in “units.” It is easier to get a good distribution of the colors from a smaller unit than it is to try and visualize the entire quilt. Check out the first Irish Heather blog on how these colors came about.

For this quilt I had two units (A and B). The black and white sketch shows that in A the dark triangles are pointing upward and are across the bottom of the triangle. In B, the lights are across the bottom and pointing upward. To create the quilt, these two units are alternated with Unit B turned 180 degrees. Half units fill in the sides.

Please note that in the above illustrations, all the darks are very dark and all the lights are very light. There is a lot more interest if some of the darks are lighter and some of the lights are darker. Any light triangle only has to be lighter than all the dark ones surrounding it and likewise any dark triangle only has to be darker than all the light ones surrounding it. Compare the difference between the illustrations above and the one below.

The next task was to create those units in fabric. Each unit has 25 fabrics—15 darks and 10 lights for Unit A and 15 lights and 10 darks for Unit B. In each one I tried to get a good balance of all the colors in the bundle as well as a good balance between values from light to dark.

When I put several of the units together I wasn’t sure I was getting the colors the way I wanted them. Comparing what I had to the photo I realized I needed more of the pinks and blues and less of some of the other colors.

So I made two additional units (C and D). For these units I had more of the blues and pinks. And then in the final quilt I alternated all four units.

While I made this quilt digitally with only the fabrics from the Irish Heather grand bundle, if I were doing it in actual fabric I would add many more fabrics from my stash that fall within the same range of colors. My philosophy is the more fabrics the better. In fact, this particular design was a favorite one to use when making a charm quilt…a type of quilt popular from the late 1800’s to early 1900…but that is a whole other story to pursue in future blog posts.

Why not give this quilt a try? Here are the two templates that I used in creating the quilt shown here. In addition to the templates, you will also find yardage requirements for the borders and some basic instructions. I hope you have fun with it. Look for additional Irish Heather bundles in upcoming Weekly Web Specials.

Posted on July 27, 2017October 22, 2018 by Jinny Beyer — 3 Comments

Escape to an Island with a Bundle of Fabric!?!

In quilting today, we have thousands upon thousands of fabrics in an ever-changing palette available to us. When we enter a quilt shop, we find that beautiful array of color and fabric irresistible. As a result, it is rare that we meet a quilter who does not have a substantial stash. Have you noticed, though, for many of us, when we go to put fabrics together for a quilt we never seem to have quite what we need? There always seems to be something missing but we don’t know what.

It is no secret that I love color and I love shading fabrics but I realize that not everyone does. Putting together a quilt with many fabrics can seem overwhelming. Because we recognize this, we have always made available a large selection of shaded bundles. We would, though like to help you to understand how you can do this yourselves or maybe just watch the journey as we do it for you.

Grand Bundle Complete for Blog — The complete Island Escape bundle.

With that in mind, we have put together a collection of 40 shaded fabrics called the Island Escape bundle. (It was very hot and steamy while we were putting it together so I may truly have been looking for an Island Escape.)

A starting point for the Island Escape bundle, the Portable Palette.

To gather the colors I wanted for this Island Escape bundle, I first went to my “go to” color tool, my Portable Palette. I worked with various groups of colors, shading them together until I had a palette I liked. I came up with a palette of 27 colors. Next I looked all around the shop trying to find fabrics of different textures and designs that would fit into the color range shown on the palette. Sometimes they were a little brighter, a little darker or had had a slightly different cast. As long as they blended in they would work! Ultimately, in the 40 piece bundle, I only used a small portion of the original Palette fabrics, but of course all of those could be added as well for even more variety in the bundle.

We will start presenting them to you, one mini-bundle of eight fabrics at a time, over the coming months in our Weekly Web Specials. Along the way, we will share tips and pattern ideas for how you can use them. Each mini-bundle shades from one color to the next so at the end you will have an entirely shaded collection of fabrics for fun, “scrappy” quilts.

This month’s mini-bundle shades from pale seafoam through brilliant blue to deep violet and it will be on sale for the week’s special beginning July 26 and ending August 1. The next bundle will be released later in August.

For more information on how to use my Portable Palette, visit the Tips and Lessons page on our website.

Posted on December 10, 2015October 22, 2018 by Jinny Beyer — 2 Comments

Planting a Fabric Tree

It’s been bustling around the Studio these days. One of our very popular items this season has been our holiday tree bundles.

This year during our annual shop hop Charlie from Connecticut came down to participate in the Quest and went on one of our buses. Charlie brought a gift from his local quilt shop, That’s Sew Debbie, in Groton, Connecticut. It was a cute fat quarter bundle with four fabrics folded into a tree.

Of course, I had to figure out how the pieces were folded. I dissected the bundle and came up with a system that works for me.

The first fold is long side to long side.

When you make the first fold, be sure to fold long side to long side. I wanted to hide all the raw edges, get a perfect 60 degree triangle when done and have it compact enough to stay together. My Perfect Cut 60 Degree Ruler worked great to get the angle.

The first words out of everyone’s mouth when they see one of the trees is “It’s so cute!”

We think they make adorable Christmas gifts and wanted to share the process of assembling them with you. Watch the video below and start folding some yourself!

Enjoy!

Posted on May 27, 2015October 22, 2018 by Jinny Beyer — 4 Comments

Try Your Hand at Color Shading

Customers walking into the Studio are greeted by hundreds of fabrics in an array of colors. In nearly every bit of wall space, we have quilts with dozens of fabrics. Fat quarter bundles designed to shade from one color to another are in baskets and boxes. But what if you want to choose your own fabrics? It is easy to become overwhelmed when it comes to selecting colors and fabrics for a project. Many quilters don’t know where to start. It really isn’t that hard and can be a lot of fun once you get started.

On our website, we have three large fabric bundles, Emerald Isle, Indian Marketplace, and Shades of the Tropics, which are examples of my color theory. Each contains 39 fabrics divided into three color groups. While they look great on their own, they are more effective together. We recently decided to add another fat quarter collection, and I’ll use this to show you how easy color shading can be.

Our Moon Glow quilt has been popular for years and customers love the colors, so I decided to create a Moon Glow fat quarter bundle. I first chose a range of colors and made sure that I had several shades of those colors. There should be no gaps from one to the next, the more fabric the better.

Next, I added some deep darks, fabrics darker than the others to make my original colors pop.

I then added a couple of accent fabrics, both a little brighter than the other colors.

It’s starting to look nice, isn’t it? Now I’m going to add neutrals. Neutrals cover a wide range but I think of them simply as grayed-down or muddied colors. Often quilters skip these because they say they don’t really like these colors. These neutrals, though, make the other fabrics shine. Can you see what a difference they make?

Finally, I took my Portable Palette and went shopping through my stash just as you can do at home. (Of course, my stash happens to be the Studio!) Fill in anything that’s missing with a trip to your local quilt shop. Here’s how these colors work in Moon Glow and in our new fat quarter bundle.

Check out my video on our website for more details on color shading. I had so much fun putting together this fat quarter collection that I’m already planning another which will be available soon. Are you ready to give it a try?