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No Sewing Machine, No Pattern, No Problem

We’ve just returned home after spending a week with our daughter, her husband and our two grandchildren who are now seven and four. The grandchildren love to work on art projects of various sorts and are quite imaginative. Usually when I visit, I have a sewing project that I am working on and they always ask if they can have some pieces to sew too. A couple of diamonds sewn together becomes a butterfly, a few squares become a blanket for a stuffed animal, etc.

Cutting Fabric
Cutting fabric
Polly making fabric trimmed binoculars
Making fabric trimmed binoculars
Sewing a butterfly
Sewing a butterfly

I often take them a small gift of various art supplies, scraps of fabric, and other fun craft items. This time, I decided to take half yard pieces of some of my Safari fabrics that they could turn into whatever they liked.  I thought they would enjoy the animals on these fabrics and the bright colors.

Collars and clothes
Collars and clothes

Well, they LOVED the fabrics but, right off the bat, my grandson said “Will you make me a skateboard shirt?” My granddaughter pounced on that idea and said “Will you make me a skateboard dress?”

My heart fell a little because my daughter doesn’t have a sewing machine, I had no patterns and I thought there wouldn’t be enough of any one fabric to make these garments. I told them I wasn’t sure the pieces would be big enough. They said that that was okay because I’m always sewing different fabrics together and they wanted “patchwork” clothes. They immediately picked out the fabrics that they wanted in their new clothes.

A work in progress
A work in progress

So I set aside the amounts of fabric I thought I would need, drew some sketches to show them, and measured. They told me exactly where they wanted each of the fabrics and, while I cut and sewed pieces together for their garments, they cut pieces and created a myriad of projects for their stuffed animals, dolls and their dog. My grandson even created a new garment for me, taking pieces of the fabric and taping them together to form a shirt.

Making a shirt for Grandma
Making a shirt for Grandma
A scarf for Lucy
A scarf for Lucy

I have to admit my thoughts journeyed back to seventh grade where all the girls in the sewing class made gathered skirts with a waistband all by hand. By that time in my life I had been making clothes for several years on my mother’s treadle sewing machine, and longed for the sewing machine for those long seams. While I love hand piecing my quilts, for garments a sewing machine definitely comes in handy.

Finished Skateboard GarmentsAt any rate, the children had a ball. I loved watching them with their creative little minds and I wondered when they would be old enough to have their own sewing machine. Hmmm…grandma has a gift in mind.

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Travel with Me to Nepal

nepal-kathmanduI am so excited to announce that I will be going to Nepal on a tour with Sew Many Places October 14-22 this year.

We all gain inspiration for our work in a lot of different ways. I definitely know that the two years I lived in Nepal from 1968-1970 had a direct impact on the way I design fabrics and make quilts. October is the perfect month to visit and I can hardly wait to return to this incredible country with its gentle people who always have a ready smile.

nepal_claypotsOfficially the highest country on earth, Nepal is as rich in culture as it is in geography. From vibrant, cosmopolitan cities to tranquil temples, stunning landscapes to ancient architecture, Nepal has it all. It is consistently named as one of the top places to visit in your lifetime for the amazing cultural discoveries, unbelievable scenery, delicious food and some of the friendliest people on the planet.

nepal_bhaktapurWe will be participating in hands-on workshops and see lots of craft demonstrations.  As part of the trip, for those who want to participate, we also be working on a hand pieced project. If you have never hand pieced, don’t worry. I will help. On one of our trips I even taught Jim West, the founder of Sew Many Places, how to sew. He did great!

nepal-khokanaI hope you can join me on this amazing journey. If so, be ready to be inspired by the design all around, whether it is in weavings, rugs, temples, ornately carved window frames, awe-inspiring landscape and so much more.

As the Nepalis say for either hello or good-bye,

Namaste,

Jinny

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New York City in Six Hours…a 17 hour marathon!

NY1My friends, Sue and Malcolm Bennett, from Australia, visited us here in Virginia for a few days. Sue is a quilter and has a shop in Waitchie, Victoria. You might remember her from a previous blog post https://jinnybeyer.com/blog/2014/08/page/3/.

When I asked what they would like to do, Sue said seeing New York City was on her bucket list. Malcolm had no interest.

So Sue and I decided to take a “girls’ day” and just go. I asked her what she wanted to see. She said she just wanted to see the city, but Central Park, Times Square, the Empire State Building, Ground Zero, the Statue of Liberty…..would all be good. I added that you can’t go to New York without eating at a typical New York deli and that we had to wander through the garment district.

For years I made monthly trips to New York City to work with the artists in the design house where my fabrics were created. I would take the train to the city, work all day and then take the train back home again. The studio was only two blocks from Penn Station so I rarely ventured very far beyond mid-town. But I thought “why not?”

So we plotted, spent some time on the internet searching and made a plan of action.

We left my house at 6 AM on Saturday morning and drove to Union Station in Washington DC. We parked at the station, got out and were greeted with the most spectacular sunrise. The vivid colors were reflected in the glass windows of a building adjacent to the station.

NY2

NY3Our train didn’t leave until 7:30 so we had a little time to get some coffee and something to eat. Promptly at 7:30, the train left the station with two excited women aboard. On the way to New York, Sue and I stitched triangles for my new pattern “Thousand Pyramids” (available soon, stay tuned).NY4When the train arrived, we both checked our Fitbits and determined that we already had about 1800 steps. Then we started our whirlwind tour:

11 AM: Arrival at Penn Station. We wound our way through the station and headed east on 33rd Street towards 5th Avenue towards the Empire State Building. When we got there, we couldn’t find the building and asked someone exactly where it was.  We were politely informed that we were standing right in front of it and to just look up. Better yet, the kind gentleman told us to go across the street and down to the corner and we would get the best view.

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11:28 AM: We headed north on 5th Avenue towards 38th Street. We had determined that we would go down 38th and check out some of the amazing bead and trim shops along that street.

11:47 AM: Sue and Jinny in one of the amazing trim shops.

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NY7 12:05 PM: We finished our tour of the “garment district” and headed north on 7th Avenue to Times Square. We arrived there at 12:15 and just hung out for a little while, watching all the activity.

NY1112:30 PM: We decided the oatmeal bars that we had for breakfast had long since left our systems and we were starving. We had read that Carnegie Deli was one of the best of the New York delis so we continued our walk up 7th Avenue towards 55th Street. When we reached Carnegie’s there was a huge line trailing around the block. I went to the front of the line and asked how long that person had been waiting and was told it had been more than an hour and that there was also a long line inside the restaurant. So we went to plan “B” and called Artie’s (also on the list of the five best delis in New York). They told us there was no waiting at the moment.

12:50 PM: By now we were starving and our legs were getting a little weary and the thought of walking the 27 blocks up to 82nd was a little daunting. We wanted to be sure to get there while they still had space. So we hailed a cab and took off for Artie’s.

NY101:05 PM: We arrived at Artie’s and Sue said she had never had a reuben sandwich. I told her she had to have one while we were there. The sandwiches arrived within 10 minutes and we both were astounded by the size. There must have been a pound of corned beef in each sandwich.

NY17

NY181:45 PM: We left Artie’s and walked east on 83rd Street towards Central Park. It was a beautiful day and the weather was perfect. This area of the city is more tranquil than the hubbub in midtown.

2 PM: It was amazing to approach Central Park and see this large area that had been preserved. We entered the park just above The Lake and wandered south, enjoying the beauty around us. We passed the Strawberry Fields, saw horse drawn carriages and in the distance the skyscrapers of the city.

nyc  9 central park

2:30 PM: It was hard to leave the tranquility of the park, but we had to get to the southern end of Manhattan to NY14Ground Zero and a taxi would take a long time so we opted to tackle the subway. And, hey, if you are in New York, you gotta just try it. We made our way to the 72nd Street station, asked at information how to get there and received our $2.50 “senior pass” which was good for the rest of the day. On the subway, Sue, the gregarious one of our “duo” immediately got into a conversation with a couple who were heading in our direction. They got a big kick of the recounting of our marathon tour in progress. They gave us some pointers as they left us two stops before our own.

NY133:00 PM: All giddiness on our part stopped as we walked from the subway station toward the 9/11 Memorial. One could just feel the anguish, hope, determination. We first saw the Trade Center buildings that have been finished so far.

NY12We wound our way around construction barriers to the spot where the two towers had stood, those places now giant waterfalls in the footprint of the towers. The names of all the victims of the terrorist attacks that horrific day are engraved in bronze slabs around each of the fountains. Time stood still for us as each of us as we remembered where we were and what we were doing when we heard the news. My quilt “Windows” was my response to the attacks. The piece in the very center of the quilt is for a friend who was in the plane that hit the Pentagon. A kind gentleman at one of the information booths looked up her name and showed us where we could find it. We both shed our tears not only for her but for all the victims and their families. To see so many names of people, going about their daily routines, who had fallen to terrorists within a short period of time, made an immense impression on us.NY164 PM: It was hard for us to leave the place of beauty that had been carved out of tragedy. Subdued, we walked away and came upon a group of policemen. We asked them for directions to Battery Park. They pointed us in the right direction and we headed towards the park where we would see the Statue of Liberty. When we got there we could see the Statue in the distance and were a bit worried about taking the time to ride a ferry to get closer. Our train was leaving central station at 6 PM and we weren’t sure how long it would take us to get back to Penn Station. So, with the wind still knocked from our sails from seeing the memorial, we enjoyed the park for a while then asked directions to the nearest subway and found our way back to Penn Station.

5:15 PM: we arrived at Penn Station and time enough to sit down for a brief drink and then get ready to board our train home.

final train photo6:00 PM: It took very little time for us to relax and fall asleep on the ride back to Washington……..no sewing of triangles took place on the way home.

11:00 PM: 17 hours and just under 20,000 steps later, we arrived back home after a pretty incredible day.


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Finished at last….and finally ready for Quest!

You’ve been following with me as I’ve created my quilt for this year’s Quilter’s Quest and here it finally is, my finished quilt top, Calliope. The journey has been a fun one from its design just this summer to the final appliqué stitches.

Quest Quilt 2015

I have been enjoying doing some applique designs and have been influenced by the ox cart wheels that I saw in Costa Rica earlier this year and also by the beautiful applique of the tentmakers of Cairo.

Ox Cart in Costa Rica
Ox Cart in Costa Rica
Cairo tentmakers
A tentmaker in Cairo

Planning for the Quest started long before I began this quilt. All of us at the 10 participating shops look forward to our shop hop and work hard to make it fun for you because it’s so much fun for us. We love seeing old friends, making new ones and revel in the festive atmosphere.

Each shop has designed and made a quilt just as I have, using our color-coordinated 10-inch squares. When you visit a shop, you will receive a free pattern for that shop’s quilt. The colors this year are the bright and cheery tones of a sunrise and blend well together. If you make it to all ten shops you can collect all of the fabrics used in the quilts and will be eligible for some fantastic prizes. As always, we have exclusive fabrics designed just for the Quest featuring images special to our region.

quest chart

mark-this-date-clip-art-398014We have been working very hard gearing up for your visit, making special projects, assembling kits, and preparing demonstrations. We still have a few places on our two buses and would love to have you join us along with quilters from across the country.

Mark the Quest dates on your calendar, November 6 – 15, and make plans to visit us all during the Quest.

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QQ 2015 Final Quilt Design

You’ve been following with me as I’ve created my quilt for this year’s Quilter’s Quest and here it finally is, my finished quilt top, Calliope. The journey has been a fun one from its design just this summer to the final appliqué stitches.

Quest Quilt 2015I have been enjoying doing some applique designs and have been influenced by the ox cart wheels that I saw in Costa Rica earlier this year and also by the beautiful applique of the tentmakers of Cairo.

blog ox cart 2
Ox Cart in Costa Rica
Cairo tentmakers
A tentmaker in Cairo

Planning for the Quest started long before I began this quilt. All of us at the 10 participating shops look forward to our shop hop and work hard to make it fun for you because it’s so much fun for us. We love seeing old friends, making new ones and revel in the festive atmosphere.

Each shop has designed and made a quilt just as I have, using our color-coordinated 10-inch squares.  When you visit a shop, you will receive a free pattern for that shop’s quilt. The colors this year are the bright and cheery tones of a sunrise and blend well together. If you make it to all ten shops you can collect all of the fabrics used in the quilts and will be eligible for some fantastic prizes. As always, we have exclusive fabrics designed just for the Quest featuring images special to our region.

quest chartWe have been working very hard gearing up for your visit, making special projects, assembling kits, and preparing demonstrations. We still have a few places on our two buses and would love to have you join us along with quilters from across the country.

mark-this-date-clip-art-398014Mark the Quest dates on your calendar, November 6 – 15, and make plans to visit us all during the Quest.

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Celebrate Creativity!

Studio tour2

The Great Falls Studio Tour is an annual event which showcases not only the work of our local artists but allows you to meet them where they do their work. Travel back roads and main streets to individual and group studios. This is a unique opportunity to meet more than 40 GFS member artists – quilters, painters, potters, sculptors, jewelers, photographers and more. At each stop you can expect demonstrations, exhibits and hands-on activities. You’ll also be able to chat with some of the regions’ top talents.

Studio Tour3
Jewelry design by Donna Barnako & pottery by Laura Nichols

This year’s tour takes place Friday, October 16, 12 – 5, Saturday, October 17, 10 – 5, and on Sunday, October 18, 12 – 5.

I’ll be at the Studio to explain the process of batik making and demonstrate techniques I have used in my recent work. There are also many of my quilt designs on display in the Studio.

OLYMPUS DIGITAL CAMERA

So how does the Studio Tour work?

The Great Falls Library at 930 Georgetown Pike is a good place to start. There will be artists there to help you map your route and samplings of work from participating artists. Take the tour at your own pace, picking and choosing what you most want to see.

Studio Tour4
Mixed media work by Ronni Jolles and a painting by Betty Ganley

And best of all – the event is FREE! More details and a driving map are available at www.GreatFallsStudios.com.

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Show & Tell

On the second Saturday of each month the Jinny Beyer club meets at the shop. We have show and tell, help with quilts people are working on, talk of new events and happenings at the shop and usually have an ongoing project throughout the year. The last few meetings I have been showing the progress and asking their opinion on our shop hop quilt. It is a learning experience for all.

I shared part of the design process in an earlier blog, “Design Dilemmas.”  The shading of the fabrics, what to use as a background, none of it ended up being what I had originally planned but I’m very happy with the changes I made.

photo for blogThe star is now complete. There is black in the center in the large hexagon and the quilt will be squared off with black as well. I plan to put applique in the center and the corners, using fabrics that will compliment the colors in the quilt.

IMG_5498I will be going on vacation with my husband for a week and plan to finish the applique during that time. Hopefully in a couple of weeks I will be able to share the completed top.

Don’t forget that the Quilters’ Quest shop hop is just around the corner.  You’ll find details at www.quiltersquest.org.

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Design Dilemmas

QQ1This past month I have been busy designing and sewing the quilt for our Quilters’ Quest shop hop this year. Each of the 10 shops is creating a quilt using the swatches that questers will collect along the way. There are 60 ten-inch squares in all and they are based on our color scheme of sunset colors.

quest chartMy first challenge was in working with all of those bright colors without any dark or neutral tones to calm them down. I decided I would add some neutrals and darks along the way, and would also work to shade the colors together.

I came up with a design fairly fast and have been sewing for several weeks now. I felt like I have already pieced this quilt three times. I keep changing my mind. I did add some darker pieces in one of the shading groups, but then I decided it was too dark.

Blog photo1
I first tried shading the sections with rectangles. I felt there was too much dark.

So I took them apart and removed some of the dark I had added and liked it better.

So I took them apart and removed some of the dark......the old section is on the left in this photo and the new one on the right.
The old section is on the left in this photo and the new one on the right.

The next challenge was in trying to decide what border print to use. I auditioned six different ones and in order to see how they looked, I had to sew them into the triangles.

My choices came down to two different borders.

Rajasthan border
Rajasthan border
Carnival border
Carnival border

I didn’t like the Rajasthan border, even though the colors were perfect. The value was too close to the other fabrics so the star points did not stand out. I finally opted for the dark of the Carnival border. It seemed to bring in some neutrals that calmed down the brightness of the other colors. I selected a neutral background that coordinates with the border.

I will keep working on it and have more photos in a couple of weeks as the quilt progresses. Stay tuned.

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Batik Designs…..Where Do They Come From?

BatiksMy third collection of batiks (Malam III) is now being shipped to shops and I am already working on the next collection which will be available in about a year.

People often ask where I get the designs for the batiks. I feel lucky in that I have a vast archive of patterns I have created since 1981 when I first began designing fabric. Many of those designs can be adapted to batik prints and you would have a hard time realizing that the batik version began with the same concept as the other.

Here is the chop making working from a design and building a frame for the copper strips.
Here is the chop maker working from a design and building a frame for the copper strips.

Creating batiks is a completely different process than screen printing which is mostly what is used today. Where some of the screen printed fabrics have repeats up to 24 inches, the batiks can only have a repeat of about 8 inches. There is a very good reason for this. The “cap” (pronounced “chop” and Americanized as “chop”) is an approximately 8 to 10 inch metal square with the design embedded into it with thin copper sheets.

One of the prints from the Alsace collection by Jinny Beyer for RJR fabrics. ca. late 1980's. I do a sketch of the design and send it to the chop designer to refine for making the design in copper.
One of the prints from the Alsace collection by Jinny Beyer for RJR fabrics. ca. late 1980’s. I do a sketch of the design and send it to the chop designer to refine for making the design in copper.
The design came back and I felt it was too crowded and that the lines would run together. I asked them to simplify it. In the second drawing, it was less lines, but I didn't like the gaps between motifs and asked the the close those gaps. The second revision worked.
The design came back and I felt it was too crowded and that the lines would run together. I asked them to simplify it. In the second drawing, it was less lines, but I didn’t like the gaps between motifs and asked the the close those gaps. The second revision worked.
The final chop in copper and one of the colorations of the batik ovals design.
The final chop in copper and one of the colorations of the batik ovals design.
Oval batik print in various colors from Malam II.
Batik ovals in various colors from the Malam II collection.

Depending upon the intricacies of the design, this can be quite heavy. In the printing process, the chop is dipped into hot wax and then stamped upon the fabric…..all done by hand. The wax preserves the color that is underneath.

Stamping the design onto the cloth after dipping the chop into the hot wax.
Stamping the design onto the cloth after dipping the chop into the hot wax.

If the design is too large, the chop would become too heavy making it difficult for the person doing the stamping.

When selecting designs to use as a batik pattern I look through designs I have previously done and select ones or parts of ones that would create a nice line design, have a small repeat and create an interesting affect. Here are some photos of the original designs and the batik counterparts.

The original design that paisley came from (Corsica collection). There was a faint paisley motif in the background.  And the line drawing used for the batik chop.
The original design that paisley came from (Corsica collection). There was a faint paisley motif in the background. Right is the line drawing used for the batik chop.
Some images of the paisley in batiks.
Some images of the paisley in batiks.

If you are interested in more information about the batik printing process visit my blog about my trip to Indonesia in 2013 to see my batiks being made.

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Designing Fabric

swatchestMost of you know that I have been designing fabric for quilters for a lot of years. My first line was introduced in 1981 by a company that shall remain nameless. I did three lines for that company in two years and they decided that quilting had reached it’s peak in popularity and they were getting out while they were still on top. Hah! Little did they know.

RJR Fabrics heard that I would no longer be with that company and asked me to work for them. It has been a great partnership between us and I have been working with them since 1983. RJR is in the Los Angeles area while I am on the east coast. We mostly meet remotely but manage to get together a few times throughout the year.

Recently, I flew to Los Angeles and went to the RJR offices to meet with the new art director, individuals from the Japanese company who work with my screen print fabrics, and those from yet another company who I work with in producing my batik lines. It was a whirlwind day and a half but we got a lot accomplished.

RJR has moved to new offices in the past year so it was great seeing their new place and touring the facilities. When you walk through the door, you are struck by the openness of the offices and color everywhere. Quilts are hanging all around and it is just a colorful, happy environment.

Sorting batiks
Demi, the head of marketing at RJR, sorting batiks with me

While at RJR, I sorted fabrics from my three batik collections, mixing the groups. RJR plans to make pixie groupings of these (2 ½” strips of 40 fabrics per group) and I am designing quilts that can be made with each group. In fact, I am recoloring our popular Crayon Box quilt using these pixies. Here is a sneak peak of one of the colorways.

Front entryway at RJR Fabrics
Front entryway at RJR Fabrics

 

Quilts at RJR
Summer Lily and Lone Star Salute in the halls at RJR
IMG_1056
A small portion of the warehouse
Working on kits in warehouse
Women making kits for other retailers (we make our own here in the Studio)
IMG_1071
The shipping department
IMG_1059
Folding fat quarters for bundles
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Packaging kits and bundles