Last week I told you about my trip to Costa Rica and showed some photos of the decorative ox cart wheels that are an important part of the culture. It might be difficult, at first glance, to look at these awesome designs and figure out how to adapt them for use in a quilt. This week I want to show you images of more wheels and tell you how you can create your own design using some of the techniques that the artisans of Costa Rica use.
Each wheel is divided into 16 wedges. The design is painted onto the wedge and that motif is repeated 15 more times to complete the decorative wheel. Each artist makes their own design, all similar in style but unique to the artist. Notice the wheel shown here. The white lines indicate one of the 16 wedges.
1. This particular design has six circles. Other designs might have more or less. The distance between the circles is arbitrary, according to the artist’s whim. Start with 32 spokes and draw the first part of the design.
2. Increase the spokes to 64 and draw the remaining portions of the design.
3. Make 16 identical wedges to complete the design.
Look at these additional photos of ox cart wheels and see if you can find the “wedge”
It was with a little bit of trepidation that I waved goodbye to the majority of my personal quilts I have made. They were loaded into an SUV to be taken to the Virginia Quilt Museum in Harrisonburg for their three month exhibit “Simple Stitches, Exquisite Quilts.” I told my friend, Bunnie Jordon, the exhibit’s curator who was driving them down, “There goes my life’s work.” No pressure there!
Many of my longtime friends helped to hang the quilts. Since this experience has been something akin to handing over my children, this calmed me…somewhat.
As you know, I make all of my quilts by hand. People think I am crazy to do everything by hand and they marvel that I do it but wonder why.
But to me handwork is a solace. Sitting and stitching by hand and thinking about what is going on in my life spins the events of everyday life into the quilts. It is sort of a meditation – you don’t have to rush, finish, get it done. I can just relax and enjoy the moment. That is what hand stitching is to me.
I can look at each of those quilts and know where I was when I was making it, what was happening in my life at that time and each one brings back memories.
The exhibit will have 18 of my personal quilts including “Ray of Light” and “Windows” as well as 21 quilts from my charm quilt collection.
A quilt where every piece is cut from a different fabric is called a charm quilt. Charm quilts are usually made with pieces cut from a single shape such as a square, diamond, triangle or hexagon. Tumbling Blocks is one of my favorite designs for a charm quilt and is a great hand-piecing project. I love these unique quilts and often use their many fabrics as inspiration for my fabric designs.
My exhibit at the museum runs through April 25. I will be giving a lecture, to be followed by a reception, on February 22. I would love to have you join me. For more information, please visit the Virginia Quilt Museum website.
If you are looking for a get-a-way during the doldrums of winter, I have the perfect spot! Two years ago my husband and I celebrated our 50th wedding anniversary. We decided it would be great to have a family gathering in a beautiful tropical place and we chose Costa Rica. I made two scouting trips to Costa Rica to find the perfect place and I did! We rented a house in a private 125 acre resort and had a wonderful time. I will be returning to this same resort in February for another tour with Jim West of Craftours/Sew Many Places.
We will cruise to a nature preserve to snorkel with coral, a ship wreck, and lots of tropical sea life; then we’ll raft through the jungle. Shopping is always a must and we will visit a local community known for their well-made crafts. This trip would make the perfect Christmas present. There are still a few places remaining.
I’m pleased that Jim West has asked me to be the guest quilter on a tour to Tuscany in April. Quilters are well acquainted with the beautiful floor tiles in the centuries old cathedrals and how they can inspire quilts such as my “Windows” quilt. We will visit ancient cathedrals and galleries housing the work of world-renowned artists in Florence and Siena, historic towns and quaint piazzas. Tuscany is also known for the rolling hills of the extraordinary countryside, its fabulous cuisine and its wonderful wines. I can’t wait to try them all! I’m looking forward to visiting these fabulous places and hoping some of you will join me. Maybe you’ll be inspired to make a quilt based on the designs we will see.
You can find more about these two trips on our website by clicking here.
Wow! I’ve just arrived back from another whirlwind tour of India with Sew Many Places. Jim West certainly knows how to put together an exciting and educational adventure.
We rode on bicycle rickshaws through Old Delhi and Jaipur, motor scooters, buses, camel carts and elephants. The dates of the trip were planned around the Festival of Diwali (known as the festival of lights) and the Pushkar camel fair.
I began quilting while living in India years ago and every time I go back I am inspired anew by the color and design that surrounds this incredible country.
Words cannot describe what all we did and saw, so I thought this blog should be more photos than words.
Meanwhile, I have three more exciting trips next year……..to Costa Rica, Tuscany and Bali. I would love to have you join me on another adventure.
Last February I was asked to give a lecture at the AQS show in Phoenix. The quilt show was amazing and it was my first opportunity to see the Tentmakers of Cairo. The two men from Egypt were demonstrating the appliqué technique that they use for decorating tents. I loved both the boldness and intricacies of their designs and thought that maybe it was time that I got back to appliqué. Inspired by what I saw, I have recently been working on quilt designs that contain both piecing and appliqué.
About a month ago, I shared with you a photo of a quilt on my blog that I was designing and making for our annual shop hop, Quilters’ Quest. At that point, I had the star made and was working on the appliqué which would be in the background squares and triangles. With all the flight time on my recent trip to Japan, I was able to finish the background and I recently added the borders.
If you are in the Washington D.C. area Nov. 7-16 this year or are in the mood for a road trip, you might enjoy taking part in the Quest. We are working very hard gearing up for it, making special projects, assembling kits, and preparing demonstrations.
Each shop has designed and made a quilt using our color-coordinated 2 ½” strips. When you visit a shop, you will receive a free pattern for that shop’s quilt. The colors are jewel tones and blend well together. Our Quest quilt, Lotus, shown here, is made up of the strips that each shop will be distributing. There are ten shops and if you make it to all ten shops you will be eligible for some fantastic prizes.
We still have a few places on our two buses and would love to have you join us.
People often ask me where I get my inspiration for fabric design. I am inspired by nature, architecture, antique fabric and wallpaper, and so much more. But a lot of my design inspiration comes from other art. There are design archive companies which cater to fabric and wallpaper designers. They have thousands of pieces of art that they, themselves, have collected to show to designers.
I have just recently returned from a whirlwind trip to Japan where I met with the artists who work with me on my fabric collections. I also went to the printing facility that prints my fabrics. I try to go periodically to personally touch base with the people who work with me and to also look through their design archives.
On my most recent trip, I looked at more than 10,000 pieces of art in two days. I was getting bleary eyed! When looking at each, it is important to look beyond what is actually there. I look for interesting textures, motifs, backgrounds. Sometimes, something with really high contrast or bold electric colors catches my eye even though I would never use it as is. I look for parts of the design that I can manipulate to turn into something else.
For instance, Chelsea, my most recent fabric collection, was inspired by designs that I selected on a previous trip to Japan. Let me show you an example of how this design worked for me.
The first thing that caught my eye was the beautiful flowers on this more than 60-year-old piece of art. The second was the design in the background. Notice that there is too much separation between the flowers and the background making it a bit difficult to use in quilting. I also didn’t like the white dots on parts of the design.
Studying the design, I decided to make two fabrics from the one piece of art with one being a separate fabric of just the background. For the other, I eliminated the white dots and brought the value of the colors closer together.
I do most of this work in Photoshop and then send what I have done to the design studio. They make any corrections that I cannot do on my computer and send it back to me. Once I have the designs complete, I do the colors on my computer and send it back to Japan so they can prepare the art for printing. Here are photos of three of the final fabrics in the collection
Most exciting for me is to finally have the designs the way I like them. I then work with the digital images to create a quilt using that collection. I will talk more about designing fabric in upcoming blogs.
Passing along our love of quilting to future generations helps to mark our history and links us as families and communities. I am thrilled that my granddaughter, Polly, loves to sew and I see this sharing of our art form with my customers and staff.
Staff member Nancy discovered a willing helper while machine piecing one day. Whenever she hears the sewing machine running, granddaughter Kyra, 18 months, drops her toys and comes running. She loves to choose the fabric squares and sits on her Nana’s lap to sew. Nancy always keeps a stack of scrap squares by the machine for Kyra to help sew.
Staff member Linda always brings a project with her when she visits her grandchildren. Grandson Andy was curious and wanting to copy what Oma was doing. He holds the needle and takes stitches now on the special projects that Linda brings him.
We don’t have to sit with needle and thread or sewing machine to share our love of quilting.
Customer Angela V. and daughter Erin were in the Studio last month choosing border fabric for their quilt. Erin loves to help her mom design quilts and choose fabrics. She doesn’t do the sewing yet but you never know what the future will bring.
Jinny Beyer Club member Judy I. recently brought her granddaughter to a meeting. Caelyn, 5 ½, likes “blanquettes” as she calls them. She has not started sewing yet but loves to play with her grandmother’s fabrics. She is always cutting out shapes and they glue them to paper making quilt designs. What a wonderful way Judy is instilling in her granddaughter an appreciation of quilts and maybe an understanding of why her grandmother loves to sew.
It is no secret to quilters that children can learn much from the process of quilting. We have heard of teachers incorporating the making of quilts into the curriculum to teach subjects such as math, social studies, reading and writing. I think we, however, just want to share what we love. The Sisters of the Cloth quilt guild in Ft. Wayne, Indiana, has a wonderful motto: Each one teach one. Maybe that’s what we should all aspire to do especially with children. Just imagine all of the new little sewers we can create.
I don’t remember learning to sew. It is something I have always done. I don’t remember learning to thread a needle or making a knot or taking a first stitch. I do remember sitting in a grocery store at age 5, waiting for my mother to shop and knitting. I only remember that because people were amazed that this small child was knitting. I don’t remember learning to knit either.
What children are exposed to at an early age, even if they are not adept, they still feel they “know how to do it.”
My granddaughter at age five likes to sew. She probably won’t remember learning because it is just something she knows. When she was just a baby she was fascinated watching me stitch. Then one day at age 10 months I saw her pick up two of my patches and rub them next to each other like she was sewing. A few months later crawling across the kitchen floor, she found a needle I had dropped. She held it carefully in her hand, crawled over to me and said “Here you go, Grandma”.
She was two when I had her “help me sew”. I would start a stitch and have her pull the needle through. I was using my tiny betweens 11 needle and a single thread and I showed her how to close her hand over the thread as she pulled so the needle wouldn’t come unthreaded.
At age three and a half she was cutting with small scissors. I remember one day the baby sitter came and saw her with the scissors and quickly took them away saying those were for grownups. She got huge crocodile tears and her feelings were so hurt. She said, “But I can sew. I’m a good sewer, and I can cut carefully with scissors”.
Every time I go to visit, I have a sewing project with me and Polly always asks if she can help. Mostly I’ve been working with diamonds and I give her some to sew together. The last time I went I had squares. She said, “But I like sewing with diamonds. They are easier to sew than squares.”
She has figured some things out on her own. For instance, she has a hard time putting the needle in and pulling it back out and she figured that if she pinched the fabric she could put the needle through and get her in-out stitch at one time.
September is National Sewing Month and it has had me thinking about what starts us sewing and what we can do to pass it on. In next week’s blog, I’ll share with you how those around me are helping spread their love of sewing. I’d love to hear from you about how you have sparked that interest in children: firstname.lastname@example.org.
Jinny is quite busy with a top secret project this week (you’ll have to wait to hear what it is) so the staff is giving her a break and taking over the blog. Since there is no way we can impart quilting advice better than Jinny, we thought we’d show you something a little different—some alternate uses of Jinny’s fabulous fabric.
To be sure, nearly everyone who steps through the door of the Studio is here to buy something for their latest quilting project. Occasionally, a purchase is made for home decorating like curtains, napkins, tablecloths, and such. Large triangles from border prints make wonderful pillows. Why, we even have a border print running around the wall like a chair rail in our bathroom. One of the most fun “other” uses of Jinny’s fabric has to be when we see them in garments. Now we know you are thinking of those jackets we’ve all made which basically look like we’re wearing our quilts. While they are cute, what we’re talking about are garments which, at first glance, you would never think used quilting fabric.
Louanne G. from Taylor, Texas wrote to us a while back telling us how her husband loves Jinny’s border prints so Louanne uses them to make his Western shirts. Aussie quilter Esther A. used an Ambrosia fabric to make one of her fun Hawaiian-style shirts.
Since fellow staffers spend many hours surrounded by fabric, they can come up with lots of unique ideas. Kristi has been making dresses for her granddaughter Lorelai since she was a baby. The dresses are precious but can’t outshine such a beautiful model.
When Linda’s grandson Andy was a baby, she made him this cute little jacket with Monochrome fabrics. Proving that her sewing skills were not just for the young, she made her very dapper dad (who’s in his 90’s), a shirt using the Pacific Rim line.
Some of the most amazing clothing, though, comes from our youngest staffer, Dana. Dana has a background in fashion design. A graduate from the Fashion Institute of Technology in New York, she originally learned to sew by quilting with her grandmother. She does make quilts but her real passion is clothing. She has found a unique way to mix and match some of Jinny’s different collections to showcase her unique style. She says, “Cotton can be a really fun fabric to work with. Although it is not ideal for pieces that need to breathe like pants, it works great for skirts and children’s clothing. It is easy to sew and the range of color and print possibilities is endless.”
So next time you stop by the Studio or your local quilt shop, we hope you’ll look at the fabric in a different light.
I swore I wasn’t going to dwell on my vegetable garden this year, but I just can help it. It is going crazy!
My corn is way taller than an elephant’s eye (I’m 5’6”).
I can’t reach the sunflowers.
The tomatoes, which were slow to ripen, have now all decided to turn ripe at the same time. I have to beg people to take zucchinis and cucumbers.
We are enjoying my favorite tomato salad every night. (See my recipe below). And then just this morning I saw some red ripe tomatoes way inside the plant. When I reached for the first one, I realized it wasn’t several but just a single gigantic one. It weighs 2.68 pounds! While I realize that is not the world’s largest tomato, I think it is pretty big and I wasn’t trying to grow a large tomato.
I have used my Cuisinart so much that it died on me this morning while I was in the middle of making 10 quarts of tomato sauce.
Let’s get back to my sunflowers for a moment.
Notice in this close-up that the seeds form a pattern of two sets of spirals going in opposite directions. If you count the two sets and divide one number by the other, you will have either .618 or 1.618…….the golden ratio! Also if you count the number of petals on a sunflower; it will almost always be one of the Fibonacci numbers.
Jinny’s Caprese Salad
Slice as many tomatoes as you need and place a piece of fresh mozzarella cheese on top of each one. (Buffalo mozzarella is the best, if you can find it.) At this point, most recipes call for putting a basil leaf on each tomato slice and drizzling with olive oil. We like it better with some fresh pesto on top of the mozzarella. I make a larger batch than I need and keep the rest in the refrigerator for use the next time. It keeps well for at least a week.
Pesto for Caprese Salad
Two cups fresh basil leaves
Two cloves of garlic
¼ cup pine nuts, walnuts or pecans
About ¼ cup olive oil
Dash of salt
Pepper to taste
Chop nuts, garlic and basil in a food processor, while the processor is running add olive oil in a slow drizzle until pesto forms a soft paste.