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Simple Lines….Dynamic Effects

We often get phone calls here at the Studio asking us for advice on how to quilt a just-finished top. That’s a tough one to answer. There are so many possibilities! Whether you are a beginner or an experienced quilter, sometimes the phrase “quilt as desired” can lead to frustration when not a single idea pops into your head.

These days, when in search of ideas, we often head to the internet and there are some awesome examples of quilting out there both by hand and machine. It can be a little intimidating. Sometimes, I think we overlook the beauty in simplicity.

SLQ1
Day Lilies

My quilt “Day Lilies” has the illusion of a lot of curves but it is all straight line quilting. More elaborate quilting was unnecessary and might have detracted from the quilt’s design. The same is true of my “Rhapsody” quilt.

Rhapsody
Rhapsody

My new table runner design, “Turning Point,” has a dramatic diamond design. Instead of following the exact lines of the piecing, machine quilter Su Gardner did triple lines of quilting perpendicular to the pattern. It has quite a striking effect, don’t you think?

Turning Point
Turning Point

Straight-line quilting is often what we start out with as new quilters. Grids and outline stitching are wonderful for beginners, no doubt, but their “unfussiness” may be just what you are looking for.

SLQ4One of our Australian customers, David S., made this “Amish Waves” quilt as a memorial to a friend he lost to cancer a few months ago. Using 50 of my Palette fabrics, the bold colors and geometric pattern along with straight-line stitching help recreate the Amish feel in this lovely quilt.

SLQ5When my staff member, Nancy, made this quilt many years ago, she was looking for the feel of an old scrap utility quilt. The big stitch in a simple grid pattern was a perfect fit.

SLQ6For hand quilting, if I am doing straight lines in open areas, I lay down masking tape. I use regular size and also quarter inch tape which is perfect for outline quilting.  Masking tape can also be used when machine quilting but don’t accidentally sew over it! Many machine quilters use their favorite marking tool, a hera marker or just “eyeball” it along with a walking foot on their machines.

So next time you read “quilt as desired” don’t overlook the basic straight line.

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Quilters’ Quest 2015 is Hopping!

We are in the midst of Quilters’ Quest here in the Studio. It’s hard to convey how much fun we’re having with the hundreds of quilters who have already passed through.

Our first day started very early as the first bus group gathered at the Studio for breakfast and a surprise show and tell.

QQ2015-1
Ann M. made this pattern from Scrappy Apple’s 2014 pattern in blues. We love it!
QQ2015-2
This Stained Glass Star was a UFO but Kit R. finished it before traveling down to take the bus.

And here’s the group from bus #1 heading off on their Quest to visit all 10 shops.

QQ2015-3

Here are just a few of the Quest quilts they saw along the way.

QQ2015-4
Material Girls, Cottonseed Glory, and Bear’s Paw all made great use of the palette of Quest fabrics.

We were even able to tear a couple of the shop owners away from their work to pose in front of their quilts.

Dick and Wendy from Traditions at the White Swan and Jackie from Patches both chose applique.
Dick and Wendy from Traditions at the White Swan and Jackie from Patches both chose applique.

And wardrobes even included Quest fabric.

QQ2015-6
Nancy with the Studio beaded scarves and Carol from Scrappy Apple.
More vests as worn by the staff at The Scrappy Apple.
More vests as worn by the staff at The Scrappy Apple.
QQ2015-8
Bus rider Tammy got in the spirit wearing a scarf shaded with Jinny’s fabrics that she made.

The shop is ready with new and favorite products with demos going on all day long. We hope to see you soon!

Quest store compositeQQ2015-10

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Finished at last….and finally ready for Quest!

You’ve been following with me as I’ve created my quilt for this year’s Quilter’s Quest and here it finally is, my finished quilt top, Calliope. The journey has been a fun one from its design just this summer to the final appliqué stitches.

Quest Quilt 2015

I have been enjoying doing some applique designs and have been influenced by the ox cart wheels that I saw in Costa Rica earlier this year and also by the beautiful applique of the tentmakers of Cairo.

Ox Cart in Costa Rica
Ox Cart in Costa Rica
Cairo tentmakers
A tentmaker in Cairo

Planning for the Quest started long before I began this quilt. All of us at the 10 participating shops look forward to our shop hop and work hard to make it fun for you because it’s so much fun for us. We love seeing old friends, making new ones and revel in the festive atmosphere.

Each shop has designed and made a quilt just as I have, using our color-coordinated 10-inch squares. When you visit a shop, you will receive a free pattern for that shop’s quilt. The colors this year are the bright and cheery tones of a sunrise and blend well together. If you make it to all ten shops you can collect all of the fabrics used in the quilts and will be eligible for some fantastic prizes. As always, we have exclusive fabrics designed just for the Quest featuring images special to our region.

quest chart

mark-this-date-clip-art-398014We have been working very hard gearing up for your visit, making special projects, assembling kits, and preparing demonstrations. We still have a few places on our two buses and would love to have you join us along with quilters from across the country.

Mark the Quest dates on your calendar, November 6 – 15, and make plans to visit us all during the Quest.

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QQ 2015 Final Quilt Design

You’ve been following with me as I’ve created my quilt for this year’s Quilter’s Quest and here it finally is, my finished quilt top, Calliope. The journey has been a fun one from its design just this summer to the final appliqué stitches.

Quest Quilt 2015I have been enjoying doing some applique designs and have been influenced by the ox cart wheels that I saw in Costa Rica earlier this year and also by the beautiful applique of the tentmakers of Cairo.

blog ox cart 2
Ox Cart in Costa Rica
Cairo tentmakers
A tentmaker in Cairo

Planning for the Quest started long before I began this quilt. All of us at the 10 participating shops look forward to our shop hop and work hard to make it fun for you because it’s so much fun for us. We love seeing old friends, making new ones and revel in the festive atmosphere.

Each shop has designed and made a quilt just as I have, using our color-coordinated 10-inch squares.  When you visit a shop, you will receive a free pattern for that shop’s quilt. The colors this year are the bright and cheery tones of a sunrise and blend well together. If you make it to all ten shops you can collect all of the fabrics used in the quilts and will be eligible for some fantastic prizes. As always, we have exclusive fabrics designed just for the Quest featuring images special to our region.

quest chartWe have been working very hard gearing up for your visit, making special projects, assembling kits, and preparing demonstrations. We still have a few places on our two buses and would love to have you join us along with quilters from across the country.

mark-this-date-clip-art-398014Mark the Quest dates on your calendar, November 6 – 15, and make plans to visit us all during the Quest.

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Copyright Laws & Quilting

Lotus Amazon BlogQuilting and the copyright right laws which apply to the subject come up every now and then in magazines and online. Each attempts to summarize and explain the law often with different interpretations. If you are anything like me, it just takes a little bit of “legalize” for my eyes to glaze over. Protecting the rights of others is important but sometimes it is a little difficult to figure out what it all means. A recent post found on the internet brought this all to mind.

Ginger Davis Allman came up with this wonderful chart of copyright guidelines. http://thebluebottletree.com/copyright-guidelines-polymer-clay-artists/

Copyright-Infographic-craftersJust as a lawyer would, I will start this with a brief disclaimer. I am not a lawyer, never dreamed of being one and know very little about the law. Nothing I am about to say should be construed as legal advice. I simply want to talk about what is fair and considerate to others.

A copyright is a form of legal protection granted by the legal system to protect the original work of individuals. According to the Studio Art Quilt Associates (SAQA), “Works eligible for protection under copyright include patterns, diagrams and instructions for making quilts, written materials that talk about quilts and the making of quilts, and quilt designs, regardless of whether those designs appear in a pattern or diagram for the quilt, in a software program that lets the user make the quilt, or in the quilt itself.”

Many of us design our own quilts whether we do it professionally or just for our own enjoyment. Let’s use my Lotus quilt as an example.

Lotus green center

The center of the quilt consists of a large Lone Star. This is a traditional design and I certainly can’t lay claim to that. I carefully chose each fabric making sure they shaded nicely to get the effect I wanted. Around the Lone Star is appliqué which I also designed. This is my own creation.

Lotus green applique1If you make my Lotus quilt, I would hope that you let people know it is my design. If your friends want to make one, you can let them know where they can obtain a pattern or a kit. It is not alright to take the pattern, make copies and distribute them whether for free or certainly not for money.

If you want to take parts of this design and incorporate it into a work of your own, give credit. If your work includes anything for profit, you should ask permission of the designer.

I would hope you would stop and think for a moment of all which goes into the creative work of others—endless hours of design, pattern writing, pattern testing and copying costs. There is an old saying about giving credit where credit is due. Let’s always try to remember this.

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Design Dilemmas

QQ1This past month I have been busy designing and sewing the quilt for our Quilters’ Quest shop hop this year. Each of the 10 shops is creating a quilt using the swatches that questers will collect along the way. There are 60 ten-inch squares in all and they are based on our color scheme of sunset colors.

quest chartMy first challenge was in working with all of those bright colors without any dark or neutral tones to calm them down. I decided I would add some neutrals and darks along the way, and would also work to shade the colors together.

I came up with a design fairly fast and have been sewing for several weeks now. I felt like I have already pieced this quilt three times. I keep changing my mind. I did add some darker pieces in one of the shading groups, but then I decided it was too dark.

Blog photo1
I first tried shading the sections with rectangles. I felt there was too much dark.

So I took them apart and removed some of the dark I had added and liked it better.

So I took them apart and removed some of the dark......the old section is on the left in this photo and the new one on the right.
The old section is on the left in this photo and the new one on the right.

The next challenge was in trying to decide what border print to use. I auditioned six different ones and in order to see how they looked, I had to sew them into the triangles.

My choices came down to two different borders.

Rajasthan border
Rajasthan border
Carnival border
Carnival border

I didn’t like the Rajasthan border, even though the colors were perfect. The value was too close to the other fabrics so the star points did not stand out. I finally opted for the dark of the Carnival border. It seemed to bring in some neutrals that calmed down the brightness of the other colors. I selected a neutral background that coordinates with the border.

I will keep working on it and have more photos in a couple of weeks as the quilt progresses. Stay tuned.

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I’m just saying….

Hand sewing resizedIn 1974 when I taught my first quilting class, everyone in my class knew how to sew. They grew up sewing, knew how to thread a needle, take a stitch, etc. I grew up sewing my own clothes and making doll clothes…..often making my own patterns, so transferring that to quilting was not difficult.

Grandmother's Flower Garden
Grandmother’s Flower Garden

Schools no longer teach sewing to all students, mothers work and few sew. Most beginning quilting students I have in my classes are not just new to quilting but are also new to sewing. When someone wants to take up quilting, they think the first thing they need to do is purchase a sewing machine.

Garden Sunflower done in.....
Garden Sunflower

When I became interested in quilting in the early 70’s, templates were made for all patchwork patterns and almost all piecing was done by hand. Today many people pass up on patterns that require templates or ones that cannot be done by machine. They only want patterns where the pieces can be cut with a rotary cutter.  This eliminates a whole wealth of patterns and in my opinion eliminates a lot of the intricacies that were found in many of the quilts from the 1970’s and 80’s.

Suzie's Box
Suzi’s Box

Why not take a step back, look at some of those more intricate looking patterns and try one. If you want to take a try at a pattern that uses templates, sign up for my 2015 Block of the Month free class from Craftsy.  The early lessons have a lot of information on making templates and hand sewing which can be used in any pattern you may choose. Or, try the Quilter’s Design Board on my website. There, you can choose from hundreds of blocks, see how it looks in a quilt and print templates.

titleCard

I’ve been thrilled with the number of you who have discovered the joys of hand piecing and told me how much you (sometimes surprisingly) enjoy it. If you haven’t already, why don’t you give it a try.

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Being Creative with Your Quilt Back

water wheel- small
Water Wheel

Often, the back of a quilt receives little thought. Once your top is finished, your batting purchased, there are things to consider when choosing your backing.

Choose your quilting thread first. If you want the thread to blend in, choose a backing which is similar in color and maybe a busier pattern such as a paisley or floral. If you want your quilting to show, solid-color fabrics will show off your quilting pattern (and your expertise).

Purchase  fabric which is the same quality as that which was used on the top of your quilt. Extra wide quilt back fabrics tend to be slightly heavier than standard quilt fabric. While excellent for machine quilting, the heavier weight may make it a little harder for hand quilting.

How much fabric to buy depends on many factors. The backing should be at least 3″ larger than the quilt top on all sides. (If you are having your quilt quilted on a long-arm machine, this amount should be even greater. Always check with your quilter.) Traditional quilting fabric is 45” wide. Once your remove the selvage, you should assume 40” to 42” of width in your calculations. For any quilt larger than crib-size or a small wall hanging, you will have to piece your backing fabric.

Traditionally, two or three widths of fabric are pieced together for larger quilts. If I am using two widths of fabric, I avoid having one straight seam running down the middle. I place one width of fabric down the middle and split the width of the other, sewing two halves on with one on either side of the center panel. When sewing the backing pieces together, use a ½” seam allowance and press the seam to one side. Do not press the seam open as this causes weakness in the seam and allows fibers from the batting to migrate through the seam.

Most backings, it seems, are made this way. However, you do have other options. What if you want to be a little more frugal or creative with your backing?

Several years ago, quilter John Flynn introduced us to a method using a diagonal seam across the back to save on fabric. It works on quilts that need backing up to about 60″ wide. The calculation sheet we’ve added to our website takes you step by step through the math. For the “mathphobes” out there, we’ve also found an online calculator.

Let me show you some interesting backings from my staff’s quilts.

My new Water Wheel quilt finishes about 41″ x 46″. It would be tricky to get the backing out of standard yardage.  But, there is an unused wide border print stripe in the kit. A standard width fabric (say 40″) could be divided and a border strip run up the length.

Or use leftover yardage and piece a strip that helps to make up the width as was done in this quilt for a small boy.

Pattern by Billie Lauder, "There's a Dog on My Quilt."
Pattern by Billie Lauder, “There’s a Dog on My Quilt.”

Sometimes, we have blocks leftover which didn’t make it into the quilt top.  These are wonderful to incorporate into the back. This small wallhanging was made with blocks leftover from a basket quilt. There were still leftover blocks and they were pieced into the backing.

Basket quilt backA yard and a half (all that remained at the shop) wasn’t enough to cover the back of this quilt. The aqua fabric used as the back also served as the quilting design for the center of this quilt which was machine quilted from the back. Remnants from an earlier quilt were pieced to each side (and pieced to make a hanging sleeve).

Teal quilt backThere are so many options for your quilt back.  I’d love to see what you’ve done.

 

 

 

 

 

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The Power of Quilts

You don’t have to be a longtime quilter to understand the power of quilts. A quilt is much more than fabric joined together. It can be an expression of love, sympathy, joy, hope or caring. Just as the quilt can be all of these things, so can the process itself. Just joining two little pieces of fabric together can mean so much more than it appears. I was reminded of this by way some emails we recently received.

Carol quilts
Carol and her Mariners Compass quilt

Amanda in Michigan contacted us recently. She and her friend Merry have joined us on the Quilters Quest Bus Trip. Last year, Amanda brought her Aunt Barbara and mom, Carol. On the Quest, Carol bought fabric to make a Mariners Compass she wanted to auction off at the national reunion of submarine vets (her husband is one) that is happening in Pittsburgh in September.  Before she could start the project, she had a massive stroke and was hospitalized in a rehab facility for three months.  She has limited use of her right side and speech is difficult and not always understandable. Carol insisted that the quilt still be made and, with the help of Barbara and Amanda, it was completed. This was Carol’s first goal and now she has another she’s working towards – to ride our Quilters’ Quest bus again in November.

After having to give up crafts he loved due to arthritis, David is thrilled to be able to hand piece.
After having to give up crafts he loved due to arthritis, David is thrilled
to be able to hand piece.

David from Sydney, Australia, has an enthusiasm which can’t be matched. He is a brand new quilter who only started quilting in November last year. He had done dyeing, handspinning, knitting, and weaving all his life but arthritis forced him to stop knitting altogether and to cut back on spinning and weaving. His doctor suggested trying other things that use different movements to keep my hands agile. Sad when he thought he’d have to give up crafting forever, quilting has given him something to get excited about and something to aim for. He is currently working on Golden Album, Carnival and Columbia. David writes: “Quilting has taken over my crafting world! I love the idea that if I can draft it, I can make templates, and turn it into a quilt! The possibilities just astound me.”

Suzie found comfort in the simple act of sewing small fabric squares together.
Suzie found comfort in the simple act of sewing small fabric squares
together.

Quilting gives us something to strive for, it brings us joy and it can also comfort. One of our local customers, Suzie, lost her son, Johnny, when he was only 31. After his death, quilting comforted her. She chose to make of quilt of simple squares remembering a quilt she made while caring for Johnny when he broke his leg a year earlier and how they enjoyed the time they spent together. While others worried that she was locking herself away, Suzie says, simply, that the process was comforting to her.

Cathedral Window
I felt the same way after the attacks of September 11, 2001. My Windows quilt served as therapy for me in the days which followed.

There is a wonderful exhibit taking place through July 26 in nearby Herndon, Virginia, called Sacred Threads. It was created to share the experiences of quilters whose stories would be a source of healing and strength. Here is one just one example of the quilts in the exhibit and the story behind it.

Just use the info in the blog for the caption.  Image 4 can be the stock one of Windows.

“I remember the first time I met my future sister-in-law, Annie. She was working in a residential facility. As she turned down a hallway, an elderly resident abruptly bellowed out, ‘Hey Annie! Give us a jig!’ Suddenly, this tiny, energetic woman with bouncy red curls joyously pranced and danced as laughter ensued.

“Annie was diagnosed with terminal multiple myeloma cancer in September, 2014. How do you live life knowing you are facing certain death? In Annie fashion, she recently donned my daughter’s tutu and jigged. With this quilt, I honor her spirit. Grieving, smiling, remembering, I attach that silly little tutu!”

Our lives are often incredibly busy and often this craziness translates to our quilting. While there is nothing wrong with quick quilts and timesaving methods, I hope you take the time to enjoy the process and the challenge, comfort, reminiscing, or pure joy you can derive from it.

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How Stained Glass Star Was Created

SGS Composite copyMy Stained Glass Star quilt has served as the logo for the Studio for many years and continues to be one of our best-selling kits. It did not start out, though, to be an actual quilt. It came about in a rather interesting way.

In 1990, my son, Darren, had a business setting up websites.  He said that I needed a website and asked for two things: a credit card and a logo.  Well, it was (somewhat) easy to hand over a credit card but I didn’t have a logo. He told me that I did so many “neat shaded things” that I should do something like that to use as a logo on the website. So Stained Glass Star was created.

Our shop sample pieced by Diane Kirkhart and quilted by Su Gardner.
Our shop sample pieced by Diane Kirkhart and quilted by Su Gardner.

It was all digital at the time using scanned images of the fabrics.  Once the website was launched, hundreds of people were requesting a kit of the design. Of course, one did not exist so then I had to create one…quickly.  The kit has been going strong ever since the website went live way back when.

Recently, in honor of the 25th anniversary of my Palette collection, I have been updating the Studio’s Palette quilts. The first is my Stained Glass Star.  What do you think?

SGS Quilting copy
The intricate quilting as seen on the front and back of the quilt.